馬來西亞籍父親炳順來到台灣欲查詢兒子家俊失蹤原由，殊不知家俊在台灣所面臨的種種壓力導致他逐漸失去人性，而當出現在炳順眼前的是一具認不出模樣卻有著家俊身份證明證件的屍體時，他內心的悲傷似乎達到頂點，始終相信家俊活著的他決定前往猛獸出沒的森林試圖尋找家俊。

馬來西亞籍父親炳順來到台灣欲查詢兒子家俊失蹤原由，殊不知家俊在台灣所面臨的種種壓力導致他逐漸失去人性，而當出現在炳順眼前的是一具認不出模樣卻有著家俊身份證明證件的屍體時，他內心的悲傷似乎達到頂點，始終相信家俊活著的他決定前往猛獸出沒的森林試圖尋找家俊。

The kanji character “莉(Rei)“by itself has little meaning. It gains significance only when combined with others. 　　Hikari Matsushita is a company employee in her early thirties who lives in Tokyo. She doesn't have any particular worries, or so she thinks. To put it differently, that is her concern. Hikari does not find her own sense of worth. 　　The people around her, in contrast to her, each carries significant issues. Everyone has their own counterparts, and they are awkwardly balanced by being connected to each other. 　　Then, by chance, Hikari meets a man who is a deaf landscape photographer living deep in the mountains of Hokkaido, far from Tokyo. Through this connection, she begins to discover the value of her own existence, but this gradually leads the relationships with those around her to crumble. 　　The beauty and harshness of nature, the imperfections and fragility of humans are portrayed in a subdued manner, set in contrast to each other. 　　源自：https://filmfreeway.com/APairofREI

The kanji character “莉(Rei)“by itself has little meaning. It gains significance only when combined with others. 　　Hikari Matsushita is a company employee in her early thirties who lives in Tokyo. She doesn't have any particular worries, or so she thinks. To put it differently, that is her concern. Hikari does not find her own sense of worth. 　　The people around her, in contrast to her, each carries significant issues. Everyone has their own counterparts, and they are awkwardly balanced by being connected to each other. 　　Then, by chance, Hikari meets a man who is a deaf landscape photographer living deep in the mountains of Hokkaido, far from Tokyo. Through this connection, she begins to discover the value of her own existence, but this gradually leads the relationships with those around her to crumble. 　　The beauty and harshness of nature, the imperfections and fragility of humans are portrayed in a subdued manner, set in contrast to each other. 　　源自：https://filmfreeway.com/APairofREI

The Living and the Dead Ensemble, an artist collective from Haiti, France and the UK, bring an embodied and contemporary perspective to the history of the only uprising of enslaved peoples that led to the creation of a state. Shot in Haiti and France, through complex conversations and performances, Ouvertures considers ideas around language and translation as well as major themes of colonialism, power, cultural memory, generational trauma, knowledge and resistance.

1988年4月28日初公開（渋谷西武シードホール） 　　スタッフ 　　製作・監督・編集：手塚眞 　　撮影：円城寺哲郎 　　音楽：橋本一子 　　製作主任：古沢敏文 　　録音：福島音響 　　衣装：相馬百合子 　　ヘアメイク：加藤まこ 　　出演 　　今井萠、黒沢美香

A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.

在—个没有门的社区里，— 位管理员正面临挑战：住户们对隐私的需求日益强烈。 　　In a doorless society, a custodian is confronted with his neighbors' growing need for privacy.

一部讲述二战中年轻人的生活和命运的电影。